The image you see here is a still frame from a splendid cinemagraph—a seamlessly-looping short video or GIF—that does not do the original justice. Atlas Obscura's Anika Burgess writes on the strange majesty of Ray Collins and Armand Dijcks' cinemgraphs of waves, where the captured natural beauty becomes weird, even threatening, in the eternally-recurring moment.
“The idea was to stretch out the 1/8000th [of a] second during which the image was created into infinity. In a lot of my work, I like to mess with people’s minds a little, and this contrast between a very short time span being stretched infinitely long, and between motion and stillness is a perfect example of that.”
