Blaxploitation doesn't get enough love. Before Black Americans could regularly expect incisive and thought-provoking films like Moonlight or The Last Black Man in San Francisco, blaxploitation was the only item on the menu. Strangely, as the Black cinematic pallet began to broaden with a new range of selections from chefs like Spike Lee and John Singleton, the culture started treating their former staple of blaxploitation like spam. — Read the rest
